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Advice from John Steinbeck

John Steinbeck — Pulitzer Prize winner, Nobel laureate, love guru — with six tips on writing, culled from his altogether excellent interview it the Fall 1975 issue of The Paris Review.
Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised.
Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.
Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one.
If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there.
Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing.
If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech.
http://www.theparisreview.org/interviews/4156/the-art-of-fiction-no-45-continued-john-steinbeck

john-steinbeckJohn Steinbeck, a Pulitzer Prize winning author (Grapes of Wrath) and Nobel laureate offers six basic tips on writing in his interview it the Fall 1975 issue of The Paris Review.

1.  Abandon the idea that you are ever going to finish. Lose track of the 400 pages and write just one page for each day, it helps. Then when it gets finished, you are always surprised. (This concept of small daily incremental progress is key to long term writing success.)

2.  Write freely and as rapidly as possible and throw the whole thing on paper. Never correct or rewrite until the whole thing is down. Rewrite in process is usually found to be an excuse for not going on. It also interferes with flow and rhythm which can only come from a kind of unconscious association with the material.  (Self-censorship and a constant reworking of material day-by-day is absolutely antithetical to finishing anything!)

3. Forget your generalized audience. In the first place, the nameless, faceless audience will scare you to death and in the second place, unlike the theater, it doesn’t exist. In writing, your audience is one single reader. I have found that sometimes it helps to pick out one person—a real person you know, or an imagined person and write to that one. (This helps to tell a story with real intimacy.  It’s just you and one other person.)

4.  If a scene or a section gets the better of you and you still think you want it—bypass it and go on. When you have finished the whole you can come back to it and then you may find that the reason it gave trouble is because it didn’t belong there. (Constant forward momentum is the only way anything gets done.  Don’t let any one scene, or sequence stop or stymie you.)

5.  Beware of a scene that becomes too dear to you, dearer than the rest. It will usually be found that it is out of drawing. (Kill kill kill your darlings.)

6.  If you are using dialogue—say it aloud as you write it. Only then will it have the sound of speech. (This is excellent advice even for purely narrative passages too!)

The whole interview is here– http://www.theparisreview.org/interviews/4156/the-art-of-fiction-no-45-continued-john-steinbeck

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