#TypesTuesday – The Defenders: The Appeal of Crossovers

Types Tuesday

by Guest Contributor Oscar Harding

Three of the highest-grossing films of all time are The Avengers and the two most recent installments of the Fast & Furious franchise. Besides a blockbuster budget and total abandonment of reality, they have something in common- they are ensemble pieces featuring much-loved characters interacting with each other.

Audiences have made it clear they want very different characters to come together for massive summer events. On the smaller screen, the latest attempt at capitalizing on this success has been Netflix’s The Defenders, bringing together the main characters from their 4 original series so far. The ratings aren’t believed to have been stellar, but critically it has received mixed reviews.  It is an excellent opportunity to examine how different character types interact with each other when forced together by extraordinary circumstances.

Daredevil – Power of Love

Daredevil, the heroic alias for blind lawyer Matt Murdock (Charlie Cox) is all-too-human, his decisions- rather ironically- blinded by his love for his friends, his city, his religion and the troublesome Elektra (Elodie Yung). He can never truly be a perfect superhero, despite his incredible skills and decades of training, because he lets affection get in the way.

Daredevil has been compared to Batman, but whilst both are motivated by justice, Batman is not held back by love (he is a Power of Truth character) and trusts few people. Matt, however, regularly ignores his calling because he knows it will put people in harm’s way. The only reason he teams up with Jessica, Luke and Danny is an entire city of innocent people is at stake.

Power of Love characters can be undone by there constant need to be relied on, indulging in self-pity as they believe they go above and beyond for those they love and their devotion is not returned. The more attached Daredevil gets, the more he sabotages himself, and in The Defenders his love for the antagonist constantly hinders the team’s efforts to save New York City.

But it is this personality that means he is equally reliable and will always protect his fellow teammates. In the dire situation that The Defenders find themselves in, Daredevil’s Power of Love traits are their greatest strength as well as their greatest weakness.

Jessica Jones – Power of Reason

Private eye Jessica Jones (Krysten Ritter) is the polar opposite to Daredevil- the cynical alcoholic has little emotional attachment to anyone, driven only by the need to solve mysteries- it’s what she’s best at.

She is not obsessed with justice or love, and wants to defeat The Hand as soon as possible so she can be left alone. Everything but the mission at hand is a distraction.

Like all Power of Reason characters, be they detectives or not, Jessica sees the world as a series of puzzle to be solved, questions to be answers and codes to be cracked. The world has to adhere to set rules, and any deviation from that presents a problem. She also lacks the charm of other Private Eyes- Rick Deckard and Jake Gittes are Power of Truth characters who can use their charisma to achieve their objectives, but Jessica can’t rely on that.

Jessica, as reluctant as she is, is a vital part of The Defenders because … Luke is the emotional anchor, Daredevil is the defacto leader, and Iron Fist is the muscle, but Jessica is the one who drives the others to stay focused. Once she knows she has been proven right about this mystery that threatens New York, she is totally dedicated to the cause and never wavers. This cobbled-together team is an uneasy alliance, and when Jessica knows they are vital to restoring order, she is ruthless in making them stick to their objective.

Luke Cage – Power of Conscience

Bulletproof hero Luke Cage (Mike Colter) was once described by a nemesis as “Harlem’s Captain America”, and it’s an apt description. Like Captain America, Luke is a Power of Conscience character.

These characters believe they have to look out for others.  They have a profound sense of right and wrong. Luke is no exception- He fights for what he believes to be moral and right.  He will sacrifice everything to be Harlem’s hero, looking out for the residents of the borough because he thinks no one else will.

He encounters the rest of The Defenders whilst on a mission to deliver justice for a resident of Harlem who has been ruined by the secret organization, The Hand. The others cross paths whilst undertaking a quest or to solve a mystery- only Luke is acting out of the interest of someone else. This action speaks volumes about his character.

As part of an ensemble, he is the real anchor of the group. Jessica is reluctant to be part of the team every step of the way, Daredevil is blinded by his love for the enemy. Danny is unfocused in terms of who he is, and his mission. Luke has to remind them why they are fighting, who they are fighting for, and what is at stake. Like Jessica, he is reluctant to be part of The Defenders but understands it is necessary for them to stand to together. He is their moral compass and their steadying influence is essential with a group of such wildcards.

Iron Fist – Power of Ambition

Danny Rand (Finn Jones) refers to himself by the mouthful of a title “The Immortal Iron Fist, Protector of K’un-L’un and sworn enemy of The Hand”. It’s pretty obvious that he puts up a front to impress others.

He thinks that focusing on the mission will make him impervious to criticism, and will gain him the respect of others. Power of Ambition characters like Danny seek approval and often put on a facade to make themselves seem worthy of that approval. Whether they be ninjas with a magic hand or more pedestrian characters like Michael Scott or David Brent.

Danny has a reason for this behavior that does evoke empathy- the only survivor when his family’s plane crashed in the Far East, the young Danny was taken in by an ancient order of Monks and trained to be a weapon. He effectively has been brainwashed rather than having developed true conviction.  Such a tragic childhood means he is searching for people that will accept him and give him the love he hasn’t received since his parents’ death.

Danny is the one that brings together The Defenders- since he has the most knowledge of the enemy and their evil plan. He becomes the key to The Hand’s scheme which has been centuries in the making. Danny finally becomes the center of attention for good and bad reasons. He gets what he wants but has to learn humility and realize he has found, in The Defenders, the honest acceptance he has craved since he was an orphaned child.

For more examples of all the character types, you can purchase my in-depth e-books at the ETB shop, or you can read more articles on all the “Power Of…” types including James Bond, Doctor Who, Batman and Sherlock Holmes, every Tuesday.

There are also 9 pinterest boards full of character examples online. Check them out and let us know at ETBHelp@gmail.com if you have any other suggestions.

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#TypesTuesday – Calvin and Hobbes: Excitement and Conscience

Types Tuesday

by Guest Contributor Oscar Harding

Bill Watterson’s comic strip Calvin and Hobbes, which ran from 1985 to 1995, is to my mind the greatest comic strip of all time, surpassing even Charles Schultz’s Peanuts. Besides Watterson’s stunning art, profound philosophy and brilliant wit, it is the core friendship that has ensured that the strip has been remembered for many years since it finished. Named after Philosophers with rather dour opinions of humanity, Calvin is a 6-year-old boy and Hobbes is his stuffed tiger, real only to him. What is surprising about these closest of friends is just how different their character types are. But it goes to show that opposites attract, and these two bring out the best and worst in each other because of their character types.

Named after Philosophers with rather dour opinions of humanity, Calvin is a 6-year-old boy and Hobbes is his stuffed tiger, real only to him. What is surprising about these closest of friends is just how different their Character Types are. But it goes to show that opposites attract, and these two bring out the best and worst in each other.

Calvin

Calvin could be argued to be the ultimate Power of Excitement character. Indulging in fantasies as superhero Stupendous Man, intergalactic warrior Spaceman Spiff and hardboiled detective Tracer Bullet, when he’s not making the lives of his parents and teachers an absolute nightmare, he’s wreaking havoc as an inventor of disastrous machines out of cardboard boxes. Calvin ticks every box for a Power of Excitement character- he is an explorer, believing life should always be one big playground where he gets his way. He very rarely veers from his pursuit of fun. He is certainly the life of the party, and there is never a dull moment with Calvin. He represents both the light and dark side to the character type- his escapades are fun to read, but you can only imagine the destruction his ‘junkie mentality’ is causing others around him, as he can never get enough of what he believes to be fun.

Calvin ticks every box for a Power of Excitement character- he is an explorer, believing life should always be one big playground where he gets his way. He very rarely veers from his pursuit of fun. He is certainly the life of the party, and there is never a dull moment with Calvin. He represents both the light and dark side of the Character Type- his escapades are fun to read, but you can only imagine the destruction his ‘thrill junkie mentality’ is causing others around him.

Hobbes

Hobbes is part philosopher and all Tiger. No matter how insightful he can be about life in general, he has all the instincts of a “Homicidal Psycho Jungle Cat”. Power of Conscience characters believe they are their brother’s keeper. Hobbes is forever the reluctant participant or sits out Calvin’s most outrageous schemes. Many strips often end with Hobbes trying to persuade Calvin not to do the wrong thing, or showing his viewpoint to be wrong. These characters also adhere to what they believe to be indisputably right- in this case, the laws of nature. Hobbes always stands up for the natural world and his fellow animals

These two work so well together because they balance each other out. Hobbes usually has incredible fun when he’s with Calvin, but at the same time, he is the equivalent of an angel on Calvin’s shoulder- although it often falls on deaf ears. One could technically be considered “good” (Hobbes) and the other “bad” (Calvin). The boy has growing up to do, and the Tiger could lighten up.

For more examples of all the character types, you can purchase my in-depth e-books at the ETB shop, or you can read more articles on all the “Power Of…” types including James Bond, Doctor Who, Batman and Sherlock Holmes, every Tuesday.

There are also 9 pinterest boards full of character examples online. Check them out and let us know at ETBHelp@gmail.com if you have any other suggestions or questions.

 

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#TypesTuesday – It’s Always Sunny In Philadelphia: Crabs in a Barrel

Types Tuesday

by Guest Contributor Oscar Harding

“Crabs in a Barrel” is the perfect phrase to describe the five core characters in the FX sitcom It’s Always Sunny In Philadelphia.

There is a reason this show has endured, lasting 12 seasons so far with 2 more commissioned, and is now the longest-running live-action sitcom in Television history.

There is a way to keep your characters engaging even when they remain stagnant as characters and never evolve. In fact, to some extent, that’s what the most successful sitcoms do- FriendsFrasierSeinfeld… if your characters evolve, then they eventually reach an end to their journey- you can end your show on a high, like Breaking Bad, or you can outstay your welcome and lose the interest of your audience, like Moonlighting. But if your characters never change, never really learn from their actions, then you can run and run and run.

It’s Always Sunny in Philadelphia revels in stagnation, not out of necessity but out of choice- all five members of “The Gang” are terrible people, and hold each other back. That is why they stagnate- not because of lazy writing, or the creators’ fear of ending a good thing, but because of who they are. Their stagnation is actually character development.

Charlie is, for the most part, an innocent guy manipulated by the rest of the gang. Mac is delusional of both his skills as a bodyguard and of his own sexuality. Dee is arrogant, believing herself to be an undiscovered talent. Dennis is the ultimate sociopath and one of the most insecure Power of Will characters on Television, whilst Frank is just a terrible, disgusting human being all the time. This reprehensible ensemble willingly, or unwillingly. ruin every single opportunity that one of them might have to better themselves or seek redemption.

Let’s look at the different personalities of “The Gang” and see how they contribute to each other’s stagnation in their unique ways:

Power of Will- Dennis

Power of Will characters are often antagonists or occasionally complex protagonists- Dennis (Glenn Howerton) awkwardly falls into both categories, but he is undoubtedly a Power of Will character. The dark side of this Character Type- arguably their only side- is a belief in dividing those around them into friends and foes, or the strong and the weak. Despite having no real reason to think himself as a powerful leader, Dennis refers to himself as “The Golden God” and “A Five-Star Man”. He is protective and territorial over his domain, but unlike other Power of Will characters like Tony Soprano and Daniel Plainview, he has no actual domain-  he co-owns Paddy’s Pub with Mac, and The Gang doesn’t see him as a leader or one to get them out of a jam. He has no reason to exert his will, yet it is all he ever attempts.

In every way, this domineering personality never serves Dennis well. Unlike the others, he has no shame and no mercy, to a chilling degree. The others will compromise where they have to in order to get their own way, but Dennis remains steadfast. He has to be in control, especially when it comes to women- he is a complete sociopath with his own troubling method of emotionally controlling the women he seduces called “The D.E.N.N.I.S. System”. If this show has a villain, it would be Dennis.

Power of Ambition- Mac & Dee

Mac (Rob McElhenney) and Dee (Kaitlin Olson) represent the dark side of Power of Ambition characters- they lie, cheat and steal to get what they want and to get ahead. It is these traits that are almost always their downfall, and the ones for whom “crabs in a barrel” is the aptest metaphor. Dee thinks she is a multi-talented comedian who can always make people laugh, but the only time anyone laughs at her is when she has injured herself or has been made to look a fool. Mac is equally delusional, pronounces himself a karate master and believing himself to be the Head of Security for Paddy’s Pub. No one else recognizes him as this kind of a professional.

In both cases, this unwillingness to accept their limitations means Mac and Dee are always way in over their head, driven by greed and a need to be not just acknowledged but praised. Their shortcomings could be most easily overcome, but they are totally rigid and unlikely to change. They believe themselves to be better than everyone else- a classic Power of Ambition trait- but nothing could be further from the truth. They are unlikely to cooperate properly in schemes where all five members of The Gang could gain something and are responsible for The Gang’s failure more often than anyone else.

Power of Excitement- Frank & Charlie

At almost every turn, these two agents of chaos manage to sabotage any attempts by Dennis, Mac and Dee to improve their standing in society. Frank (Danny DeVito) and Charlie (Charlie Day) live together blissfully in a squalid apartment, sharing a bed and cooking sandwiches on the radiator. They only seek the next distraction, until they get bored and move on. Their pursuit of distraction is endless, and though Frank is a mean-spirited, grotesque figure and Charlie is a warped innocent affected by his terrible upbringing. They are on opposite ends of the spectrum but both are united in their pursuit of adventure and excitement. They both act ‘forever young’, but Charlie does so out of arrested development, and Frank has spent so long as a businessman and a father that he simply wants to live out his twilight years as carefree as possible.

It is this total lack of consideration for the consequences of their actions that make them typical Power of Excitement characters. However, neither one is charming or rakish, but they are constantly fun and the life of the party, no matter how depraved they may be. It is this lack of cynicism that either helps them win the day through sheer obliviousness to the obstacles they must overcome, or drags them down because they put no consideration into what they are doing. They are unpredictable and totally irresponsible in their own ways. Frank and Charlie definitely represent the dark side of Power of Excitement.

For more examples of all the character types, you can purchase my in-depth e-books at the ETB shop, or you can read more articles on all the “Power Of…” types including James Bond, Doctor Who, Batman and Sherlock Holmes, every Tuesday. There are also 9 pinterest boards full of character examples online. Check them out and let us know at ETBHelp@gmail.com if you have any other suggestions.

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#TypesTuesday – Three Silent Greats

Types Tuesday

There is a Slapstick Film Festival and other, related, events every year in Bristol.  The 2018 Festival has just been announced HERE for the coming year.

Aardman Animation (Wallace and Gromit, Shaun the Sheep, etc.) is a big sponsor of the festival.  Slapstick figures heavily in all their feature and short film development.

One of my first assignment for the company was to do an Emotional Toolbox analysis of three of their favorite silent film era characters. Even without words the types of these three characters come shining through.

Charlie Chaplin greatest character traits are his wistfulness and poetic soul.  He is a Power of Idealism character.  Loss and longing figure prominently in all his stories. He is a sensitive soul who shuffles along with sadness as his constant companion.

Buster Keaton is a Power of Reason character.  He is an ingenious problem solver with a deadpan attitude.  He is so stiff emotionally that his nickname was “The Great Stone Face”.  He had a mechanical style and tackled all situations with a  robotic refusal to give up.

Harold Lloyd is an optimistic can-do Power of Ambition character.  He tackles all obstacles with enthusiasm and brash confidence.  His film characters want to be popular and live the easy life.  These men find redemption through hard work, learning to act with integrity, or forming real relationships through honest sincere love.

 

 

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#TypesTuesday – Power of Will: Talk Like A Gangster

Types Tuesday

Power of Will characters fear showing any sign of weakness or vulnerability. They fear that remorse, compassion, empathy, compromise or forgiveness leaves them soft and open to possible attack by others. These characters believe there is no mercy in the jungle that is the world. There is only survival of the fittest. The biggest, toughest, meanest dog wins. Might makes right. Demand what you want and back it up with a big gun. Case in point, John Wayne in the 1948 movie Red River:

These characters speak in a manner that is:

Confident, Robust, Lusty, Passionate, Direct, Bold, Commanding, Incendiary, Ebullient, Decisive, Strong, Energetic, Aggressive, Powerful , Authoritative, Assertive, Forceful, Magnetic, Unyielding, Larger-Than-Life

They can be in speech and action:

Brutal/Brutish, Rash, Impulsive, Thuggish, Exploitive, Reckless, Controlling,  Implacable, Territorial, Vindictive, Confrontational, Cruel, Loutish, Pugnacious, Dictatorial, Paranoid, Obstinate, Predatory, Belligerent, Oppressive, Autocratic, Bellicose, Savage

These are all action words.  Put “to be” in front of any of these words and you have what the character plays in any scene. If the character is not playing one of these actions in a scene it’s probably a good idea to rethink the scene and its objective.

For more on Power of Will Character, both heroes and villains click HERE

For more examples of all the character types, you can purchase my in-depth e-books at the ETB shop, or you can read more articles on all the “Power Of…” types including James Bond, Doctor Who, Batman and Sherlock Holmes, every Tuesday. There are also 9 Pinterest boards full of character examples online. Check them out and let us know at ETBHelp@gmail.com if you have any other suggestions.

#TypesTuesday – Schindler and Spider-Man: What It Takes to Be a Hero

Types Tuesday

Both Oskar Schindler and Spiderman are Power of Conscience characters.

These characters actually believe they are their brother’s keeper. They feel responsible for the greater good and for doing good. They wrestle with how far they should go in seeking justice and fairness for others, in exposing corruption and injustice, or in standing up against evil or wrong-doing. They worry about with what is the higher duty and what exactly is required of them in response.

Peter Parker loves Mary Jane but he must summon up the courage to let her go.  He does so in the funeral scene when he rejects Mher profession of love and says he can only be her friend.

The answer, in a drama, is the Power of Conscience character must sacrifice everything he or she holds dear to be the hero he was meant to be. Over the course of a drama, these characters are drawn further and further down the path of righteousness. They are compelled to do one small thing, then another and another until, in the end, they have sacrificed their personal concerns, their safety, their security, their family, their fortunes, and often their lives.

Oskar Schindler gives his ring, his watch, his cigarette case– one trunk of money and then all his trunks of money– but it doesn’t feel enough when weighed in the value of a life. At end of the film, he wishes he could have done more.

Power of Conscience characters are asked the existential question:  “If I am my brother’s keeper, how far must I go on his behalf”.  The answer is all the way.  These dramas are about sacrifice.

Sacrifice is a word that has very much fallen out of favor in our current cultural and political climate. Protect yourself.  Protect your party. Don’t sacrifice anything for the good of the country or anyone else.

#TypesTuesday – Power of Reason Facing Horror

Types Tuesday

Each type of film has an emotional structure, what we term alien invasion films, disaster films, horror films, are most often Power of Reason films.

It is always impossible to “understand” the inexplicable or the supernatural. Horrific, bizarre, or nightmarish occurrences cannot be explained, understood or approached in a rational manner.

For example, What is the answer for those stranded on the Lost mysterious island? How do they respond when chaos and terror repeatedly break into and disrupts their lives? In every episode of the highly-rated Season One of Lost, salvation comes through creating personal connections and developing more intimate relationships with each other.

Each inexplicable or horrific event brings the survivors closer to one another. They deepen their bonds and learn more about each other. Certainly, there are interpersonal conflicts among everyone stranded on the beach. But their experience tells them (and us) that in the face of chaos or horror all we have is each other. In fact, the early tagline of the show was: “Live together or die alone.”

Human connection is the only antidote to chaos and horror. People always cling closer together in the face chaos or disaster. We all live together or we die alone.

What contaminates, soils or infects us so that we lose our souls or our humanity? What is the difference between a man and a monster? How does the human become monstrous? How does the monstrous become human? What are limits of connectedness and intimacy? How do we become distanced or alienated from our emotions or the warmth of others? Those are some of the fundamental questions at the heart of the Power of Reason story.

Jack Shephard, on Lost, is a Power of Reason character.  He wants to solve things logically but hits on the real theme of the show in this scene.

For more information on this Character Type and other Character Types click HERE

For more examples of all the character types, you can purchase my in-depth e-books at the ETB shop, or you can read more articles on all the “Power Of…” types including James Bond, Doctor Who, Batman and Sherlock Holmes, every Tuesday. There are also 9 pinterest boards full of character examples online. Check them out and let us know at ETBHelp@gmail.com if you have any other suggestions.

 

 

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#TypesTuesday – Community and Interdependent Characters

Types Tuesday

by Guest Contributor Oscar Harding

Despite gaining something of a cult status after its six-season run, NBC sitcom Community still isn’t talked about enough. Not only is it smart and consistently funny, but its sweet and a true testament to the Power of Imagination. We’ve all suffered or enjoyed being part of a study group at some point in our life- no matter how absurd it gets, the show has always been relatable or at least has had an emotional truth to it.

The show is a  brilliant lampooning of various kinds of Film and TV tropes, but the reason it works so well emotionally is “The Greendale Seven”.  The Seven is a study group originally formed for a Spanish class.  All seven then go on to take Anthropology, Biology, and History. In addition to The Study Group, their flamboyant Dean and insane former Spanish teacher round out the ensemble.

As the show progressed, certain actors from the key group of nine left the show and the emotional holes are all too visible.. Like in life, there is a bittersweet passage of time- although that doesn’t really justify a drop in quality. It just proves that character is always key. This is a lesson that both Lost and, perhaps, Twin Peaks could have learned from. The simpler something is, the better.

The Study Group is utterly dependent upon each other.  Their dynamic is severely impacted when anyone is missing. They even regress as people, in some instances. I’ll be exploring how each member is part of a jigsaw puzzle that only really works when every piece is put together. Without each and every person, the show doesn’t quite work as effectively.

Power of Will

“Get me something cold and imported”

Although it could be argued greatness is thrust upon him, no Power of Imagination character would be able to control a group of people in the same way Jeff does- that character type is for the most part selfless. Jeff is every bit a Power of Will character. However, he is not a villain but instead a complex protagonist. He may be in control most of the time, but he only ever flexes his muscles when he is challenged, or actually called upon to enforce his will on others. Although he doesn’t often actively seek to be a leader or be in control, when his authority is threatened by outsiders he becomes aggressive. This is when his Power of Will character is most apparent.

Despite his obsession with his health and physique, he prides himself on avoiding work and actually putting in effort- the very crux of the show is that Jeff has to go back to college because he falsified his qualifications.  He is terrified of losing control and will do whatever he can to keep it. If anyone is considered better than Jeff, he will snap- this is when his Power of Will character is most apparent. He is terrified of losing control and will do whatever he can to keep it. If anyone is considered better than Jeff, he will snap- this is atypical behaviour of Power of Will characters.

So he may not conquer and dominate, but when someone gives him power willingly, as he is charming and convincing, he becomes obsessing with keeping it- and it is the Study Group that encourages him to act on the Power of Will personality he has. It is fascinating to see a protagonist that is a Power of Will character, because they exhibit traits that are traditionally considered by villainous and antagonistic. But he is incredibly likeable whether we see his flaws or at his default mode of “the leader”. As the show goes on, his warmth and affection becomes more apparent and he softens. However, his Power of Will traits can come through at any moment.

Power of Idealism

“You seemed much smarter when I met you”

“Thank You”

Being part of a group means Britta can indulge the worst traits of being a Power of Idealism character type. She wallows in self-pity, suffering intense mood swings and always having someone to exhibit her intense pain or joy to. Whilst the Study Group can actually benefit each other in some way, acting as foils for each other’s character types, Britta is the only member who actually outright suffers by being part of a group. By actually belonging and being backed up by friends, there is no epic drama so she has to create it.

A former “political activist”, in the loosest sense, Britta Perry (Gillian Jacobs) has an interesting arc in that she goes backwards once she joins the Study Group. Every other member either remains an unchanging constant, or evolves into a better person. Britta begins as the stable heart of the group, but soon becomes referred to as “the worst” and a “buzzkill”, and it’s all downhill from there.

She soon becomes the clown of the group, even more so than Pierce. This can be attributed both to the dynamic of the Study Group, but also the fact she is a Power of Idealism character. These characters, such as Carrie Bradshaw, Rick Blaine and Zhivago, believe life is a dramatic struggle, forever needing to be epic and exceptional. Britta preaches activism constantly, reminding people of how the system is oppressing them, and how there is injustice they should be speaking out against, yet she can never quite deliver on this herself.

However, her constant striving to tackle what’s wrong in the world does rub off on the rest of the group- more often than not, she is the one to tone down Jeff, or make Pierce be more considerate of how his actions affect others. It is interesting how her character can, in moments of clarity, save the Study Group from itself by reminding them never to be complacent.

Power of Reason

“TV adheres to logic, reason, rules. But in real life, we have this. We have you.”

Power of Reason characters see the world as a series of puzzles to be solved, and always use a frame of reference to decipher things, be it a simple conversation or an actual mystery. Abed’s frame of reference is Popular Culture. When he does not get his way, and people or events deviate from his line of reasoning, he goes beserk. This is a regular occurrence and is the only time we see the cool, logical Abed a dramatic breakdown.

Abed Nadir (Danny Pudi) may not be the leader of the group, or even its central focus, but he is certainly its heart. He represents the best and worst about Community. Although it is a habit he improves upon as the show progresses, and the Study Group makes him less of a Power of Reason character, Abed filters his understanding of the world through what he sees in Movies, TV shows and comic books. He believes real life is like a TV show, and is obsessed with meta narratives.

He is a classic Power of Reason character, only getting emotionally involved with events when he believes it will drive forward the narrative of the TV show in his head, or a student film he happens to be making. The Study Group inadvertently helps him engage more emotionally and be more socially conscious, but they also encourage his bad habits by going along with many of his more insane ideas that allow him to better understand the world. Because he does not get tangled up in petty arguments and affairs of the heart, like everyone else, his detachment can often resolve conflict. In his most graceful moments, Abed is capable of incredible warmth because of the friends he surrounds himself with- and it is a pure warmth because he is unaware of his impact on others as it is a distraction for him and he admits to not fully comprehending things in the same way as the others.

Power of Conscience

“I am being assertive, and it is getting results!”

Power of Conscience characters, especially in comedies, are exposed for their hypocrisies, and the dark side of their character- going to extremes to maintain what they believe is just- can make for some very funny scenarios. We learn that Annie is unhinged and it is always hilarious, rather than disturbing. She starts as uptight, obsessed with maintaining order, and eventually learns to relax- but evens as her character learns and grows, she maintains a neurotic streak that comes out at the most inconvenient times.

Annie begins as one of the strongest characters, but in the show’s final season she is doing evolving and is given little to do, rarely relapsing into her old ways but losing the essence of her character.

Starting out as arguably the “child” of the group, even though she and Troy are the same age, Annie Edison (Alison Brie) is one of the characters who actually grows up and matures throughout the course of the show (as do Troy, Abed and Jeff. The others, not so much). However, the trappings of being a Power of Conscience character remain throughout.

When we are introduced to Annie, she is a goody two-shoes bookworm who always believes in what she deems to be fair and this is why her constant clashes with cheating slacker Jeff are so amusing. She is met with the polar opposite to herself, and their relationship is one of the most enduring in the show because they change each other for the better.

Power of Imagination

“You moving in here was supposed to tone us down!”

It’s interesting in such a madcap sitcom about a community college that former jock Troy Barnes (Donald Glover) has greatness thrust upon him in a place where no epic quest is ever likely to unfold. However, Troy’s arc from ignorant egotist to a hero with a heart of gold is arguably the most satisfying character arc out of anyone in Community. He leaves the show eventually with his head held high, and has changed for the better because of his time at Greendale with the Study Group. Whenever the show frequently takes diversions into genre spoofs of everything from westerns and space operas to police procedurals and action movies, Troy is always our reluctant hero even if he is not the natural leader.

Surprisingly, it is Power of Excitement character Pierce who turns to him most often for guidance and support (similar, in fact, to the dynamic of Rick and Morty). In fact, at some point every character puts their trust in Troy even when he believes he can’t help them. Like any Power of Imagination character, Troy brings harmony and balance, in this case to Greendale.

But, mostly because of his emotional investment in Abed, Troy willing to go along with the regular descents into high-concept madness that Community takes. He is a conventional Power of Imagination character in an unconventional setting you wouldn’t expect to house a reluctant hero like Troy.

He is the only person who truly understands Abed, and their friendship is one of the most charming in American television. He often guides Abed and assists him more than anyone else, because he has responsibility placed on him to guide his friends on the right path, whether it is in a ludicrous scenario or real-life dilemmas. Whether his foil is Power of Excitement or Power of Reason, Troy is forced to step up for the good of those around him.

Power of Excitement

“Ain’t no party without drugs!”

Pierce Hawthorne (Chevy Chase) is a perennial agent of chaos, immediately identifying him as a Power of Excitement character. Pierce adheres to every stereotype of a Power of Excitement character- constantly seeking to please himself and have fun, he gets bitter and jealous when he is excluded from anything exciting, often with disastrous results.

A spoilt man-child who inherited a moist towelette empire, despite belonging to an accepting Study Group, Pierce often sabotages his friends as well as himself simply through his personality. As we explore his backstory through the show, we learn he is very much a “Peter Pan” type who never really grew up on account of his enormous wealth and oppressive father. He may not be the suave playboy type, like other Power of Excitement characters such as James Bond, Tony Stark or Indiana Jones, but his downfall is his refusal to ever settle. He has studied at Greendale longer than any of his friends because it is the only place where he can get his “fix”.

Pierce has moments of elderly wisdom and profound kindness, but they are few and far between. When these moments occur, they have so much more impact because it is unexpected, so is never completely irredeemable, but he never really evolves because of belonging to the Study Group, remaining a constant irritant and disruptor. However, there is an entire episode dedicated to the group dynamic when they temporarily exclude Pierce, and it becomes apparent that they need him every bit as much as he needs them.

Power of Love

“He’s dead to me, and anyone who goes to that fight will be too. Now, let’s sing!”

Power of Love characters may not mean to be so domineering and aggressive, but it is in their nature, and Shirley is no exception. Everything Shirley Bennett (Yvette Nicole Brown) does is for those that she loves, whether it’s her sons, the Study Group or Jesus. She often believes she has to save her immoral friends in the Study Group from themselves. Even her friends have described her as “cloying” before.

But Shirley always means well- there are rarely malicious or selfish actions behind her intentions. But she displays the archetypal flaws of Power of Love characters- her affection and concern seems to translate in possessiveness and and aggressive need to dominate her friends hearts. Just because she seems sweet, besides her constant baked goods, doesn’t mean she is innocent.

Shirley sometimes just doesn’t understand why her friends don’t listen to everything she suggests, but she is relentless in making them see her point of view for their own good. She has sometimes even admitted that she is so kind and affectionate so that others will love her unquestionably.

Surprisingly, the characters who understand her most are Jeff and Pierce- sharing similar traits and the more life experience than their younger friends, these two relationships in particular are interesting because they show each other their strengths as well as their flaws. A Power of Love character makes sense as part of an ensemble, be it dramatic or comedic. Shirley belongs in the Study Group and the other members don’t realize how important it is they have a friend like her, just as flawed by the most loving and forgiving of them all.

Power of Truth

“I’m nuts, Jeff! Get with the program!”

Power of Truth characters are usually Detectives like Clarice Starling, or neurotic observers like Jerry Seinfeld. They believe there is always something sinister going on, often involving him. These characters are often paranoid, and forever restless. There is no one more paranoid, and of the belief there is a great conspiracy afoot, then former Spanish-teacher-turned-student Benjamin Franklin Chang (Ken Jeong).

Chang is a borderline psychopath, constantly destructive and on the surface seems like an agent of chaos. But he is not a Power of Excitement character because he isn’t looking for adventure and pleasure. He genuinely acts out of a feeling of rejection.He just believes people are out to get him, and rightfully so- people constantly reject him and this only fuels his actions.

Whenever the student body of Greendale become exaggerated heroes or villains in high-concept episodes like the Paintball trilogy, Chang is usually switching allegiances or seeking those he (wrongly) believes are evil and bringing them to justice. His biggest desire is to belong to the Study Group, but he is not Power of Ambition because he doesn’t put on a front.

He is an outsider to the Study Group, and Chang shows us that, to quote another supporting character, “their love is toxic”. Because of they way they are, unwilling to accept outsiders, characters that want to belong with them, like Chang and Dean Pelton, find their character traits exacerbated. If the Study Group simply accepted Chang, he may have identified as Power of Excitement or Power of Ambition.

Power of Ambition

“I heard you guys having a tiff. What’s the ruckus?”

“We were just wondering how often a man can come in here wearing an elaborate costume to deliver us irrelevant news.”

Like all Power of Ambition characters, Dean Craig Pelton (Jim Rash) wants to put on a front of being, at the very least, competent. He might even achieve it if he wasn’t so occupied with trying to join a group of students. Power of Ambition characters tend to pride themselves on some form of material wealth, or lifestyle, anything that can show them to be the best, or outstanding in some way. For Dean Pelton, it is his numerous costumes, clearly a literal disguise for his need to please and to impress.

He will often show up out of nowhere, interrupt a Study Group meeting in an attempt to become involved with the plot of the episode. He is an incredibly lovable character despite this, and the Study Group are genuinely fond of him, something he is either unaware of or chooses to overlook- it’s hard to tell which one of these it is.

All he wants is for Greendale to be respected, for the Study Group to involve him in their zany adventures, and for the love of Jeff- two of these are achievable goals, but because of the Dean’s characteristics as Power of Ambition, one cancels out the other and he ultimately achieves nothing. Despite this, he remains a welcome presence, as opposed to an irrelevant character who leaves no impact since he does not evolve.

For more examples of all the character types, you can purchase my in-depth e-books at the ETB shop, or you can read more articles on all the “Power Of…” types including James Bond, Doctor Who, Batman and Sherlock Holmes, every Tuesday. There are also 9 pinterest boards full of character examples online. Check them out and let us know at ETBHelp@gmail.com if you have any other suggestions.

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#TypesTuesday – Rick & Morty: Excitement and Imagination

Types Tuesday

by Guest Contributor Oscar Harding

Much like the Netflix show Bojack Horseman, the animated sci-fi comedy Rick and Morty is one of the funniest, most intelligent and most original shows on television. Despite the jokes and the out-there concepts, the show works because at its heart are genius scientist Rick, a Power of Excitement character, and his grandson Morty, a Power of Imagination character.

Morty has greatness thrust upon him more often than not because of he is forced into an adventure by his reckless Grandfather. This show is an excellent example of how different character types can support each other. Morty is a Power of Imagination character and paired with Rick because Rick is Power of Excitement. Rick is a constant, forever seeking adventure with or without Morty by his side. But Morty, more often than not, would have no need to save the day if Rick hadn’t put him in that position. He is just seeking a normal life as an earthbound teenager with no aliens or high concepts. He is reluctant about pretty much everything, and Rick exploits that to his own benefit constantly.

Rick

Power of Excitement characters can never settle, and as the smartest man in the universe with access and understanding of infinite dimensions, all that drives the suicidal alcoholic Rick is exploring every part of his reality and others. There is even a citadel where every single alternate version of Rick have banded together, and they deem our version of Rick to be reckless and dangerous- he is the Power of Excitement agent of chaos character. Moments of personal or emotional revelation are few and far between, and they only ever come from the intervention of his family.

Rick is a nihilist who understands everything is meaningless, so rather than search for meaning he embraces having a good time, because he believes that’s all there is. Introspection is a waste of time for him. So he has both philosophical and scientific justification for his worldview, not just a stubborn belief. He knows the only sane way to act in a chaotic world is as a Power of Excitement character. This makes him a perfect foil for Morty.

Morty

Reluctant heroes are always Power of Imagination types. They are never willing, and not always responsible, for the quest on which they find themselves undertaking. Rick is directly or indirectly the cause of Morty’s epic quests, which his sister and parents get wrapped up in as well from time to time. Morty has a desire to maintain normality and balance and usually has to undo Rick’s mistakes.

Power of Imagination characters aim to restore harmony to that which has been disrupted, and this seems to be Morty’s constant struggle. Despite Rick seeing him as weak and stupid most of the time, Morty has been forced to grow up as the show has progressed, and is normally the one person who will protect his family from both the dangers of the universe and the dark truths that Rick exposes through his worldview.

The show would not work as well if Rick and Morty weren’t Power of Excitement and Imagination characters- the former is our catalyst for every episode’s events, and without the latter cleaning up Rick’s messes, then the universe would have ended a long time ago and there would be no show. They need each other. There are other combinations of character types that could make the show work, but it wouldn’t be quite as satisfying or as entertaining.

You can find more examples of Power of Excitement and Power of Imagination examples in the SHOP or in the Types Tuesday archive.

Here’s a taste of the madness you can expect from Rick and Morty, currently available to watch on Netflix UK:

If you’re looking for more examples of Power of Excitement or Power of Imagination characters, or any of the “Power Of…” types, 9 pinterest boards full of character examples are online. Check them out and let us know at ETBHelp@gmail.com if you have any other suggestions.

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#TypesTuesday – Doctor Who: 1 Character, 9 Types

Types Tuesday

by Guest Contributor Oscar Harding

There is no other character in all of film and television like The Doctor from Doctor Who.

Countless actors have delivered unique and differing interpretations of everyone from Hamlet on stage to The Joker on film, Blanche DuBois to Hannibal Lecter. Sometimes characters in TV series like Eastenders or Film franchises like The Avengers are recast.

But The Doctor changes appearance, and retains all past memories. Every actor who has played The Doctor is also playing everyone who has come before them.

It is a fascinating anomaly and means The Doctor has, at some point throughout the show’s 53-year history been every single one of the “Power Of…” character types.What is particularly interesting is that in some way, the defining characteristics of each incarnation are a direct result of how their predecessor died.

The logic of the Regeneration concept allows for this unique quirk no other fictional character is able to do. With the latest actor to play the role, Jodie Whittaker, recently being announced, and the current actor, Peter Capaldi, about to finish his time in the role, it seems like a good time to look at an incarnation of the Doctor who has embodied each of the 9 character types.

BE WARNED! Major spoilers follow for every era of Doctor Who.

Power of Love

The First Doctor (William Hartnell) was introduced as a grandfather who fled his home planet with his Granddaughter, Susan. Every dangerous adventure he undertakes is occupied by a need to protect Susan as much as he also wants to show her the Universe and broaden her horizons. Susan eventually decides to stay with a man she meets on one of their adventures, and though it is heartbreaking for The Doctor, he realizes that letting Susan stay is the safest option for her.

Every dangerous adventure he undertakes is propelled by a need to protect Susan as much as he also wants to show her the Universe and broaden her horizons. Susan eventually decides to stay with a man she meets on one of their adventures, and though it is heartbreaking for The Doctor, he realizes that letting Susan stay is the safest option for her.

He may be remembered as grumpy, but almost every action of this incarnation is motivated by love, even if it doesn’t initially seem like it. This Doctor, despite his appearance, is young and everything he does is for his companions. He isn’t the embittered, battlescarred Doctor we meet later on in the show’s history.

His iconic speech as he bids his Granddaughter farewell shows the love and admiration he has for her:

Power of Ambition

The Third Doctor (Jon Pertwee) is the result of his predecessor being forced to change appearance against his will, and he wakes up, without his transport, and exiled to earth. He ultimately wants to be accepted by the military taskforce who have hired him, and to return to him people and be accepted by them.

His flamboyant action-hero persona is a cover for a lonely man who just wants acceptance. A classic Power of Ambition character, but one who is justified in his behaviour. His predecessor was forced to regenerate and exiled by his own people. Of course the Third Doctor would be Power of Ambition- the way he was born wouldn’t allow him to be anything else.

In this video him with his typical Power of Ambition attitude towards others:

Power of Will

Just one look at the outfit of The Sixth Doctor (Colin Baker) tells you everything you need to know about him. His predecessor looked young and acted young. Full of wonder and naivety, he saw the best in people and sacrificed his life to save his companion. Born from selflessness, The Sixth Doctor is brash and rather jarring- he is hard to like until you really get to know him.

Like any Power of Will character, he has the capacity to be boorish and abrasive, which can be as much of a strength as it is a weakness. This particular personality becomes The Doctor’s downfall as he is put on Trial by his own people (again) and pays for it with his life. Power of Will characters believe it is better to burn out than to fade away, and as the below video demonstrates, The Sixth Doctor takes no prisoners and offers no apologies for being Power of Will:

Power of Reason

Having made so much noise in his previous form, The Seventh Doctor (Sylvester McCoy) learns from his most recent mistakes by opting for a more calculated, cerebral approach to saving the Universe. As time has gone on, fans and critics alike have praised this darkest of Doctors. Power of Reason characters see everything as a challenge or a puzzle to be solved, and The Seventh Doctor is a big fan of chess, playing everyone off against each other to save the day, be they friend or foe.

Acting the utter fool as a front, this incarnation was a master strategist, reveling in obstacles to overcome and not stopping often enough to think of those who were pushed aside in his quest to find resolution. Ultimately, this drive to outwit everyone would define the character for years to come, as the actions of The Seventh Doctor inadvertently caused The Time War- more on that shortly.

This video, showing The Doctor talking himself out of a gun being pointed in his face, is an excellent example of a Power of Reason character at work:

Power of Idealism

The Eighth Doctor (Paul McGann) cut a dashing, Byronic figure. A handsome romantic forever searching for adventure and that next high. He couldn’t be more of a Power of Idealism character, which makes his death all the more tragic. He regenerated from his cold, calculated predecessor on New Year’s Eve, 1999 and was immediately thrown into a race against time to save reality itself, without a moment to pause for breath. He had a love of the finest things in life, and was very much like the great Romantic poets like Shelley.

It was this lust for life which made him blind to the machinations going on in the Universe that resulted in The Time War, a devastating conflict that raged across every dimension. True to his Power of Idealism characteristics, he chose to ignore the conflict, except to play the hero and help those caught in the crossfire, though never interfering because that would involve difficult choices- being a warrior would be beneath him. Ever unique, he would “help where I can. I will not fight.” It was this refusal to try and stop the War that brought about his demise, as he tries to save just one person instead. Forced the regenerate, his end is perhaps the most heartbreaking of all the incarnations, as he tells those who would engineer his rebirth:

I don’t suppose there’s any need for a Doctor anymore. Make me a warrior.

You can watch the whole tragic ending in the video below:

Power of Imagination

Great men are forged in fire. It is the privilege of lesser men to light the flame.

The War Doctor (John Hurt) might be the most interesting incarnation of them all, and not just because he is the one we know the least about. Literally born out of necessity, he was conditioned for conflict and refused to take the name of “The Doctor” as he became a commander in The Time War. Everything we have seen and read of him, however, shows him to be reluctant- to fight, to kill, to forgive himself, even to accept that he is just as much “The Doctor” as everyone who came before and after him.

The War Doctor is every bit the reluctant hero, forced into existence and on an epic quest to end the greatest war in all of creation. Like any Power of Imagination character, greatness is thrust upon him, despite his protestations that he is the “Doctor No More”. There are incarnations that would take this quest on with swagger, many of them citing pacifism and choosing not to let anyone die because of their actions, but not The War Doctor. Forever doubting his is good and heroic, he is exactly like Frodo Baggins or Luke Skywalker, other classic examples of Power of Imagination characters. Exhausted by centuries of war, and having saved the day, this hero gets a happy ending as he regenerates, knowing he can proudly call himself The Doctor again.

The below video shows The War Doctor faced with his greatest decision, which could end the War but wipeout his home planet:

Power of Excitement

Power of Excitement characters are the life and soul of the party, and The Tenth Doctor (David Tennant) is relentlessly fun to be around, and a real ladies’ man. But he never dares to look back, or stops to think that he can’t always be the hero. When he reflects on heartbreak or lets down his facade of constant cheeriness and optimism, it is in the most dramatic fashion. Everything he does is with flair, and in pursuit of adventure, but more often than not it is at the cost of those whose paths he crosses. Despite being a hero, like a Power of Excitement character always is, The Tenth Doctor is an agent of chaos.

Ultimately, this thrillseeking incarnation is a deeply tragic character because he rarely stops to reflect on his actions until it is too late. He was born from a predecessor haunted by his actions in the Time War who found love in Billie Piper’s Rose Tyler. That love is amplified when he turned into the Tenth Doctor.

At the end of his life, sacrificing himself to save his friend Wilf (Bernard Cribbins), his regeneration is the most destructive and explosive because he held off the process for so long. His parting words were “I don’t want to go” and he seems to be the personification of Dylan Thomas’ quote “rage, rage against the dying of the light”.

The below video shows the reckless dark side of this archetypal Power of Excitement character at work, as he defies the very laws of time:

Power of Truth

The Eleventh Doctor (Matt Smith) came into existence after his predecessor, all alone, finally gave in and regenerated. He was literally given a baptism of fire, his TARDIS in flames and crashing towards Earth. After such a dramatic entrance, he is immediately faced with a multitude of mysteries he must solve, and even when he tries to ignore intrigue, this Doctor must turn detective for the good of those around him.

He finds a family after suffering so much loss as his previous incarnation, and the only way he can keep them safe is to pursue the conspiracies that seem to surround him. Ancient religious orders determined to kill him, a woman who claims to be his wife popping up all over his timelines, and cracks in the skin of the universe that threatens to consume everything. Facing similar challenges as his predecessor, Seventh Doctor, this incarnation has to be cunning, quickwitted, and always alert. The irony is it is this very characteristic is what brings about his end, which haunts him all the way at the start. His era gets very confusing, which seems appropriate for a quintessential Power of Truth character like The Eleventh Doctor.

The below video shows us what happens when a Power of Truth character is proved right, and he gets to the bottom of a mystery. It’s not pretty…

Power of Conscience

The Twelfth Doctor (Peter Capaldi) began his time in the role obsessed with the question “Am I a good man?”. By the end of his life, desperately trying to save a community of colonists from an army of Cybermen, and stranded with two incarnations his best friend and worst enemy, The Master, he gave a defining speech when confronting them as they fled the chaos, which can be viewed in the video below. It speaks volumes to his character, and is the most obvious evidence that he is a Power of Conscience character through and through.

He started out as a bitter man, his predecessor stranded on Trenzalore for hundreds of years, protecting the planet from swarms of enemies and ending it all from sheer exhaustion. But this incarnation’s face was familiar- in fact, it is the face of a man he saved many years before. It was a reminder to himself to do what is right, no matter the cost. He may have been harsh like the Sixth Doctor at times, but came to prove that despite his gruff exterior, he had a heart the size of The First Doctor. No other incarnation has beat himself up so much about doing the right thing, and never letting injustice occur. Power of Conscience characters think about nothing else, and The Twelfth Doctor is no exception. He thought less of adventure, and more about what it means to be The Doctor- a good man.

What’s Next?

We won’t get our first glimpse of The Thirteenth Doctor (Jodie Whittaker) until Christmas, and we won’t get to know her character until late next year, so it’s impossible to guess what type she will be. But if the conditions of her predecessor’s demise are anything to go by, she could very well be a Power of Love character. Only Time (and Space) will tell.

For more examples of all the character types, you can purchase the in-depth e-books at the ETB shop, or you can read more articles on all the “Power Of…” types including James Bond, Batman and Sherlock Holmes, every Tuesday.

And if you want to start an argument about guest contributor Oscar Harding’s analysis please post in the comments section!

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