Cougar Town – When a Character Doesn’t Ring True
I caught up with the Cougar Town premiere online and thought it was absolutely terrible. The best words I have to describe this raunchy and demeaning show are desperate, pathetic and insulting. Courtney Cox’s character asks her son why he doesn’t laugh at her sex-obsessed jokes and he says: “Because they make me sad.” Bingo!
I have nothing against sex-obsessed women who fret about aging and the difficulty of finding love. I am a big fan of Sex and the City. But that show has something that Cougar Town lacks– authentic characters who feel real. Carrie and her crew each has a distinct and very specific take on sex and romance that defines who she is, how she sees the world and what love means to her.
Carrie Bradshaw is a well-defined Power of Idealism character. Throughout the series, she is obsessed with the emotionally unavailable Mr. Big. These characters believe that what is perfect but unavailable or unattainable is infinitely more desirable than what is flawed but possible or achievable. They are always reaching for the unreachable star.
Charlotte York is a Power of Conscience character and the most conservative and uptight member of the ensemble. While the show focuses on sexual liberation, Charlotte is the voice of more traditional values. Perfection to her is what is proper and socially correct.
Samantha Jones is a Power of Will character and views sex as power. She is always the one in control of the sexual power in her relationships. She decides when, where, how much and what kind of sex she will have. She is loud, lusty and unashamed of her passions. She is unapologetic when she decides to move on to new conquests.
Miranda Hobbes is a Power of Ambition character. She is extremely career-minded and has her sights firmly fixed on a prestigious law partnership. She often views sex as a distraction to her work. In one episode she and her lover fight over the fact she wants to schedule sex and refuses to let passion distract her from important work-related obligations.
Each of these women is thoroughly believable and acts consistently with specific attitudes about life and love. I recognize women I know in the characters in Sex and the City.
Cortney Cox’s character is is poorly defined, cartoonish and utterly inauthentic. She acts like a thirty-year old Judd Apatow guy trapped in a one-note joke about being desperate but clumsy in the attempt to get laid. I have no idea what her cardboard cut-out character believes about life or love or why she is doing what she is doing. To you tell you the truth I don’t really care. Someone please put this excruciatingly pathetic show out of its misery.
Here are some additional reviews that hit the nail on the head.
WALL STREET JOURNAL (T)his is the 21st century, where pole dancing passes for a statement of female liberation. So it should come as no surprise that Jules will search for self-esteem in frequent sex and the proof that she is still “hot.” Such a quest could be made funny, but here it mostly isn’t. Ms. Cox is struggling with some ugly material and often seems desperate.
CHICAGO TRIBUNE Cougar Town is one of those shows with a trendy topic at its core, but it’s hard to see how the show will work long-term, and the screechy and semi-frenetic tone set by the pilot doesn’t help.
VARIETY (T)he execution here is consistently about as subtle as a kick to the groin — and represents the least appealing component in ABC’s quartet of new Wednesday-night comedies.
HOLLYWOOD REPORTER Cougar Town is a mess of a place no one would want to visit, even for a half-hour. With a little luck, though, it’ll have a short shelf life.