How to Evaluate Stories
April 6, 2012 – 11:56 AM | 2 Comments

This concise checklist of questions and examples helps writers, producers, editors, publishers, and development executives quickly zero in on key story problems. It reveals what’s missing in any problematic plot. Find what’s wrong and fix …

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Incremental Progress to Write One Novel or Screenplay a Year

Submitted by on May 23, 2012 – 12:41 PMNo Comment

doctorow_150x224In The One-Hour Screenwriter and my upcoming Thriller and The Power of Truth book, I recommend writing for one hour a day.  Cory Doctorow, an extremely prolific writer, has his schedule down to 20 minutes a day.

Cory is co-parenting new father who writes at least a book per year, half-a-dozen columns a month, ten or more blog posts a day, plus assorted novellas and stories and speeches.

Here is his take on incremental progress and he recommends:

Short, regular work schedule
When I’m working on a story or novel, I set a modest daily goal — usually a page or two — and then I meet it every day, doing nothing else while I’m working on it.
Leave yourself a rough edge
When you hit your daily word-goal, stop. Stop even if you’re in the middle of a sentence. Especially if you’re in the middle of a sentence. That way, when you sit down at the keyboard the next day, your first five or ten words are already ordained, so that you get a little push before you begin your work.
Don’t research
Researching isn’t writing and vice-versa. When you come to a factual matter that you could google in a matter of seconds, don’t. … type “TK” where your fact should go, as in “The Brooklyn bridge, all TK feet of it, sailed into the air like a kite.” “TK” appears in very few English words … so a quick search through your document for “TK” will tell you whether you have any fact-checking to do afterwards.
Don’t be ceremonious
Forget advice about finding the right atmosphere to coax your muse into the room. … You can put up with noise/silence/kids/discomfort/hunger for 20 minutes.
http://www.locusmag.com/Features/2009/01/cory-doctorow-writing-in-age-of.html
1. A short, regular work schedule
When I’m working on a story or novel, I set a modest daily goal — usually a page or two — and then I meet it every day, doing nothing else while I’m working on it (for 20 minutes a day).
.
2. Leaving yourself a rough edge
When you hit your daily word-goal, stop. Stop even if you’re in the middle of a sentence. Especially if you’re in the middle of a sentence. That way, when you sit down at the keyboard the next day, your first five or ten words are already ordained, so that you get a little push before you begin your work.
.
3. Don’t research
Researching isn’t writing and vice-versa. When you come to a factual matter that you could google in a matter of seconds, don’t. … type “TK” where your fact should go, as in “The Brooklyn bridge, all TK feet of it, sailed into the air like a kite.” “TK” appears in very few English words … so a quick search through your document for “TK” will tell you whether you have any fact-checking to do afterwards.
.
4. Don’t be ceremonious
Forget advice about finding the right atmosphere to coax your muse into the room. … You can put up with noise/silence/kids/discomfort/hunger for 20 minutes. (For those 20 minutes all you do is write and don’t all ANY distractions in.)
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